Carmella Cimmino has had enough. For thirty years, she’s been battling the wild turkeys that have taken over her Staten Island neighborhood—and her front lawn. With a cigarette in one hand and her loyal pug Mr. Darcy by her side, Carmella delivers a hilariously unfiltered account of local government failure, nepotism at the butcher shop, and yuppies taking selfies with the enemy.

Birds of Paradise

July 4th in East New York. Tomiwa, the 13-year-old son of a Nigerian immigrant mother, ventures out in search of fireworks against her wishes. But when he crosses into a White neighborhood with two other boys, he learns the value of community the hard way.

July 4th, East New York

A miscreant father takes his 4-year-old son on a camping escapade (in the middle of New York City).

New Partner

Azaa and Shagai, a couple in their late 20s, are livingin Ulaanbaatar, Mongolia with their 6-year-old daughter. On the verge of divorce, they search for happiness in empty, high-rise buildings. Stuck in their car in the infamous city traffic, they fight it out.

A South Facing Window

While working his first night shift, a New York City doorman confronts a rowdy intruder and must call upon a mysterious group for help.

The Verona

Two strangers. One night. A city breaking its own heart. A pop-up techno club ambushes the streets of downtown Amman flooding a conservative neighborhood with heavy bass and unfamiliar faces. Jana arrives, newly sober, wrestling with intimacy. While across the street, Hasan watches from his family rooftop, anticipating a long-overdue encounter.

Ambush | Kameen

In one night, the bathroom of a DELANCEY CLUB reveals the space between who we pretend to be and who we are. Set entirely in the bathroom of a downtown nightclub, DELANCEY CLUB follows a series of strangers as they pass through the mirror’s gaze over the course of one night. Each arrival is a small performance -- a smile rehearsed, a line practiced, a pep talk repeated -- that slowly unravels to reveal the cracks underneath. by limiting the story to the bathroom, the film explores perspective as both a physical and emotional space: the difference between how we present ourselves to the world, and what slips through when we’re alone.

Delancey Club

Short Narrative Block #4

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